Gerda Lerner, Historian, Dies at 92


"Fireweed: a Political Autobiography"/Temple University Press


Gerda Lerner and her husband, Carl, in 1966, at her graduation from Columbia with a doctorate.







Gerda Lerner, a scholar and author who helped make the study of women and their lives a legitimate subject for historians and spearheaded the creation of the first graduate program in women’s history in the United States, died on Wednesday in Madison, Wis. She was 92.




Her death was confirmed by Steve J. Stern, a history professor and friend at the University of Wisconsin-Madison, where Dr. Lerner had taught for many years.


In the mid-1960s, armed with a doctorate in history from Columbia University and a dissertation on two abolitionist sisters from South Carolina, Dr. Lerner entered an academic world in which women’s history scarcely existed. The number of historians interested in the subject, she told The New York Times in 1973, “could have fit into a telephone booth.”


“In my courses, the teachers told me about a world in which ostensibly one-half the human race is doing everything significant and the other half doesn’t exist,” Dr. Lerner told The Chicago Tribune in 1993. “I asked myself how this checked against my own life experience. ‘This is garbage; this is not the world in which I have lived,’ I said.”


That picture changed rapidly, in large part because of her efforts while teaching at Sarah Lawrence College in the early 1970s. In creating a graduate program there, Dr. Lerner set about trying to establish women’s history as a respected academic discipline and to raising the status of women in the historical profession. She also began gathering and publishing the primary source material — diaries, letters, speeches and so on — that would allow historians to reconstruct the lives of women.


“She made it happen,” said Alice Kessler-Harris, a history professor at Columbia. “She established women’s history as not just a valid but a central area of scholarship. If you look at any library today, you will see hundreds of books on the subject.”


Gerda Hedwig Kronstein was born on April 30, 1920, in Vienna, where her father, Robert, owned a large pharmacy. Her mother, the former Ilona Neumann, a free-spirited Bohemian at heart, tried unsuccessfully to reconcile her budding career as an artist with her duties as a housewife and mother. This struggle made a marked impression on her daughter.


Immediately after Germany annexed Austria in 1938, Dr. Lerner’s father, a Jew, was tipped off that he was about to be arrested. As a hedge, he had started a pharmacy in Liechtenstein, and there he fled, whereupon the Gestapo arrested his wife and daughter to force his return. Five weeks later, after he sold his Austrian assets for a nominal sum, his wife and daughter were released and left for Liechtenstein as well.


“It was the most important experience of my life, because I didn’t think that I was going to come out alive,” Dr. Lerner told The Chicago Tribune in 1993.


A more thorough investigation by the Gestapo might have revealed that their young prisoner had been doing underground work for the Communists for several years.


Through a marriage of convenience, Gerda Kronstein made her way to New York, where she worked in menial jobs and trained at Sydenham Hospital in Harlem as an X-ray technician. As a saleswoman at a Fifth Avenue candy store, she was fired after she reported her employers to the Labor Department for paying their factory workers less than the minimum wage.


In 1941, she married Carl Lerner, a theater director and Communist who helped her polish her halting English by having her repeat tongue-twisters like “Mae West is wearing a vest.” The couple moved to Hollywood, where Mr. Lerner became an apprentice film editor.


Dr. Lerner placed a short story based on her jail experience, “Prisoners,” in The Clipper, a liberal literary journal, joined the Communist Party and began working with community groups to organize supermarket boycotts and neighborhood child care centers.


“I was unduly intense, super-serious, incapable of small talk or the kind of friendly gossip that hold acquaintances together,” she wrote in “Fireweed: A Political Autobiography” (2002). “My perfectionism, insistence on anti-fascist commitment in word and deed, and general ‘heaviness’ as a person set me apart from others.”


Daniel E. Slotnik contributed reporting.



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